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The movie is at its best when under the microscope of self-deprecation but it works very well with every Off-the-wall, transparent 80s Action movie style it so lovingly embraces where laughs, character camaraderie, and well-developed action prove far With itself, with everything it does, everywhere it goes, whether in its endlessly absurd humor, poking fun at its own style and genre, or mimicking The movie, then, feels completely comfortable Natural, a pure, unadulterated result of how these characters work together and, sometimes, alone. It's all perfectly timed and so well conceived that it doesn't feel at all planned but effortlessly Revelation, or deliciously corny event will happen next.Įven the most extreme bits of randomness work. Instead, the viewer is kept enthralled, wondering what whacky, rhythmic stunt, The complete lack of seriousness is its best asset and itįresh by topping itself time and time again, going further and further but never so far as to feel forced or repetitive, either of which would alienateĪudience and destroy everything the movie works so hard to build. Can they hold off the new temptations and stay on task, or will the allure of college life and the strain on their relationship keep themĢ2 Jump Street works so well because it's so brazenly open about what it is. Into higher learning proves mostly successful, but as college tends to do to best friends, they're slowly drawn apart and towards other people.īond with a football player named Zook (Wyatt Russell), Schmidt finds himself attracted to a beautiful young art major named Maya (Amber
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Their goal: track down the dealer and cut off the supply. Hours before pushing them to let loose and party harder afterwards. They've beenĪssigned as roommates at MC State where a new drug dubbed "WHYPHY" has been spreading across campus. Schmidt (Jonah Hill) and Jenko (Channing Tatum), fresh off their high school assignment, are given a new task: go to college. Gets everything right by doing so much wrong, a true accomplishment that deserves more acclaim than it will ever receive. Letter - written in exacting English chicken scratch on pricey paper and with a cheap pencil - to modern moviegoers who will appreciate every littleĪnd the larger system while still maintaining high energy, plenty of wit, and no shortage of crude humor that's as tasteful as it can be. The entire movie embraces the idea of the "been there, done that, do it again" Hollywood mentality by going there and doing that, again, butĬharm and irreverence in equal proportions that even the most hard-to-please filmgoer will probably walk away with a smile. It'sĪ gleeful wink-and-a-nod ride of smartly crafted mindlessness, a 24 frames-per-second oxymoron that's as fun as it is dumb and as clever as it is 22 Jump Street stays with the trend but bucks it at the same time. Yet people keep going, so expect more hocking. Rolling eyes, sighs, and irritated cries of "there's nothing new in Hollywood!" echo ever more loudly with every retread that studios spit out atĪudiences anymore. Reviewed by Martin Liebman, November 6, 2014